Posted by Arnold (192.231.106.2) on March 15, 2004 at 19:29:37:
I recently purchased a drawing (20x15 inch) attributed to Eisui, a student of Eishi. It is "finished" with extensive artistic instructions. Apparently, it was placed beneath transparent silk for a painting since some color has apparently leaked through to the drawing. The drawing itself has a kyoka on it by Shokusanjin (Ota Nampo) which suggests possibly that the painting was completed at one of Nampo's cultural extravaganzas.
Being new to Ukiyo paintings, it surprised me to hear that paintings were made in this manner. However, it makes good sense and I’ve heard that it was quite common. However, I've found nothing in my reading about this practice.
Some questions:
1. Are the technical aspects of Ukiyo painting discussed anywhere?
2. Are preparatory drawings for paintings illustrated anywhere?
(I've checked Donald Jenkins "Floating World Revisited" and Jack Hillier’s ‘Japanese Drawings 18th-19th Century" but don't see any examples)
3. Was it common to include extensive artistic instruction on the drawing or is this evidence that a drawing was intended for finishing at a patron's residence or gathering.
4. Are there any other known examples of drawings prepared for Nampo's events?
I’d appreciate hearing any comments on this practice.
Thanks in advance.